Deep Current
We are world builders working at the intersection of design, research, and lived experience. As artists, educators, and collaborators rooted in both Baltimore and Brooklyn, our practice is shaped by a shared belief that the environments we inhabit — built and natural alike — hold stories worth examining, and futures worth imagining. Rooted in Baltimore and Brooklyn, we came to this work through different doors: one through the architecture of communities and the geometries of care, the other through the stories held in soil, street, and sea. We carry within us layered inheritances — Jamaican and first-generation American, Dutch, African American and Cherokee — histories that do not announce themselves in our work but quietly shape what we notice, what we mourn, and what we believe deserves to be remembered. As educators, we bring that same sensibility into the classroom, understanding design as a practice of asking better questions about the world we share.
In projects such as Drift, Low Tide, and Nuovo Beach, we use installation as a mode of inquiry — asking what our coastlines, waterways, and urban edges are telling us, and what they might become. Climate awareness is not a backdrop to this work; it is the animating force. We are interested in the felt experience of environmental shift: the quiet transformations, the slow erosions, the moments of beauty and mourning that coexist within an unstable ecology. As designers, educators, and researchers, we resist the separation between art and action. Our installations invite public engagement not as spectacle, but as speculation — an opening for communities to sense, reflect, and reimagine their relationship to the natural world.
Courtney Morgan
Courtney Morgan is an artist, storyteller, and urban design strategist of Jamaican descent, whose work redistributes power by using art as a social practice. Codesigned with vulnerable communities, Morgan’s civic-scale projects have engaged hundreds both on the street and in venues such as the Reginald F. Lewis African American Museum and Parsons School of Design. Morgan’s environmental art practice explores the interactions found in the natural and built environments. The works created by Morgan are multimedia and vary in scales from temporary block interventions to audio experiences to mixed media paintings. Courtney is a Brooklyn based artist but her earlier career was formulated in Baltimore, MD.
Justin Graham
Justin Graham is an architectural designer and public artist based in Brooklyn, NY. Over the past 12 years, his work has focused on architecture, but he consistently weaves historical and social themes into everything he creates—from lighting and furniture to the very layout of a space. Rather than taking a traditional path into the art world, Justin spent years building a successful career in architecture and design, a background that now fuels his transition into fine art and public installations. He aims to start a conversation with the public, using his work to explore how we relate to our environment and each other. Justin’s early work took root in Baltimore, Maryland, where he lived and went to college. Over the past decade, he has created interactive installations that blend sculpture, public art, and community spaces. His work has been exhibited at Artscape (Baltimore's premier arts festival), Morgan State University, and the Design for Distancing initiative.
Fellowships
2025 | Culture Push | New York City, NY
2022 - 2024 | AICAD Teaching Fellowship | Parsons, Manhattan, NY
2021 - 2022 | The Space for Creative Imagination | MICA, Baltimore, MD
2021 | Neighborhood Design Center Build Together | Baltimore, MD
Exhibitions
2025 | Novo Beach NYC : Objects of Place + Memory | Queens, NY
2021 | Eastside | Baltimore, MD
2020 | Design for Distancing I
Baltimore, MD
2015 | Artscape: Low Tide | Baltimore, MD
2013 | Artscape: Destination 1 I
Baltimore
2012 | Drift Baltimore, MD










